Art Fairs Come Blazing Back, Precarious but Defiant


The New York Times 09 September, 2021 - 07:11pm 31 views

Who died from My Big Fat Greek Wedding?

Michael Constantine, an Emmy-winning character actor known as the genially dyspeptic school principal on the popular TV series “Room 222” and, 30 years later, as the genially dyspeptic patriarch in the hit film “My Big Fat Greek Wedding,” died on Aug. 31 at his home in Reading, Pa. The New York TimesMichael Constantine, Father in ‘My Big Fat Greek Wedding,’ Dies at 94

How did Michael Constantine die?

He was 94. Constantine died Aug. 31 at his home in Reading, Pennsylvania, of natural causes, his family said. The news was confirmed to The Associated Press on Thursday by his agent, Julia Buchwald. apnews.comMichael Constantine of 'My Big Fat Greek Wedding' dies at 94

New and overlooked artists shine at the Armory Show, New York’s largest in-person fair since the pandemic, and other shows across the city.

Even before Covid, the art world was changing rapidly. Sales that used to happen in New York or Basel, via hushed conversation, now happen through Instagram all over the world. Large galleries are merging to keep up with mega-galleries, while small galleries, somehow, keep multiplying.

From a strictly business point of view, this fall’s Art Week — which was postponed from spring and runs through Sunday — represents an attempt to carry on with the way things used to be, albeit with some adjustments. The Armory Show, the first major American art fair since the pandemic, has become even more American as travel restrictions and complications knocked 55 mostly European exhibitors into the fair’s new online-only component. Visitors to the sprawling Javits Center in Manhattan, the show’s new home, will have to prove that they’re vaccinated or have a recent negative coronavirus test, as they will at most of the week’s venues. (Check health protocols beforehand.)

When the Armory Show moved to the fall, satellite shows such as Spring/Break, Art on Paper, Clio, and the stylish little Independent followed it to September. The all-new Future Fair, founded in 2020, is finally happening in person, too. By and large, these are the New York art fairs as you’ve known and loved, or hated, them, and it simply isn’t clear yet if attendance and sales will keep their model viable.

For most people, of course, the business of art is in the background right now. Asked what counts as a success at the gallery’s first live fair appearance since Covid, Lisa Spellman, the founder of the 303 Gallery, replied, “Just seeing people!” Ebony L. Haynes, who will be directing the David Zwirner gallery’s new TriBeCa space in October, said, “You can never replace seeing art in person.”

That excitement itself is grounds for optimism. “One of the main reasons for a thriving art market is exciting art,” said Jeffrey Deitch, a gallerist opening two New York shows this weekend. “And we have exciting art right now.”

And for the first time in a long time we also have a community seeing that art together. As Tom Eccles, who directs the Hessel Museum of Art, put it, “Art needs, or the art market needs, a society around it.”

What follows is a guide to the highlights of a defiant, resilient, precarious and exciting new season of art — and its society — in New York. Martha Schwendener reviews the Independent Art Fair, while Siddhartha Mitter takes on the new Future Fair, and I preview the Armory Show, below.

The 157 exhibitors at the Javits Center are divided into sections: the presentations in Focus, curated by Wassan Al-Khudhairi, of the Contemporary Art Museum in St. Louis, are more topical; Presents includes younger galleries; Solo is for single-artist presentations; and Galleries includes larger names.

Platform, a free-standing section in the middle of the hall (look for Michael Rakowitz’s terrific cardboard relief sculptures and an enormous painting by Benny Andrews), was curated by Claudia Schmuckli of the Fine Arts Museums of San Francisco. Here are the galleries not to miss, along with their booth numbers.

When the Haitian American artist Didier William started showing in New York, he was painting dark figures on wooden panel and scoring them with hundreds of little eye-shaped pits, suggesting that to be alive, especially as a Black man, was to be injured, but that to be injured was also to see. His latest figures are still covered with eyes, but they’re also more confidently modeled in space, as well as dressed in nets of brightly colored paint drops. “Just Us Three,” which shows two nude figures carrying a child, may offer a key to this new exuberance — the artist recently became a father.

Working as a collective called Hilma’s Ghost, in consultation with the “professional witch” Sarah Potter, the artists Dannielle Tegeder and Sharmistha Ray recently put together a gorgeous new tarot deck of geometric abstractions. The original 72 drawings — along with a few related paintings — are on display here. The debt to Hilma af Klint is obvious, but Hilma’s Ghost also drew from an artist of the occult — Pamela Colman Smith’s drawings for the classic Rider-Waite tarot card deck, and the results are a fascinating mélange — trippy but functional, busy but harmonious. (Decks are also available.)

The Irish-born, New York-based artist George Bolster identifies a curious aspect of science-fiction visuals: that the most convincingly otherworldly landscapes are the ones right here on Earth. Shooting ghostly scenes of the American West on hi-res video, he picks out stills and renders them as tapestries in warm, mildly unreal colors. They’re like pharmaceutical ads from some alternate America where research on psychedelics never paused.

At the Crow Fair, an annual get-together hosted by the Apsáalooke (Crow) Nation in Montana, people decorate their cars with textiles and other meaningful objects and drive in a parade. Photographing these vehicles, cutting them out and mounting them against patterned fabric, the Crow artist Wendy Red Star translates these gestures into a drastically different medium and context. Along with the photos is a sculpture of a gray pickup truck topped with a large war bonnet to match the real truck driven by her father, a Vietnam veteran.

Born in Anniston, Ala., and raised in Brooklyn, Jamillah Jennings gained some notice as a sculptor, showing with her husband, the painter Ellsworth Ausby. But in the late 1980s, she started making acrylic-on-paper, photo-based paintings of her father and other Black World War II veterans, as well as other friends and family, and this is the first time the results have ever been shown. With bright, solid-color backgrounds and pale eyes, the portraits knock you out with their candor; their subtle sophistication registers more slowly. Don’t miss the 15 hanging inside the booth’s closet — or two fabulous geometric paintings by Ausby.

One of the pleasures of an art fair is the accidental synchronicity — unplanned echoes between works in two unrelated booths. A large grid of photos documenting a performance called “Daily Chores on 5th Avenue,” by Istvan Ist Huzjan, presented by Proyectos Monclova of Mexico City, shows the artist in black and white proceeding over one cross walk after another as he gathers all the trash on New York’s Museum Mile. On the Javits Center’s other side, Galeria Lume of São Paulo presents an austere group of works that include several photographs of white lines on black pavement by Ana Vitória Mussi.

You can smell the mist and feel the sand underfoot in these acrylic scenes of Iran’s bodies of water, some of them framed in papier-mâché, by the young painter Meghdad Lorpour. One untitled view from the back of a speedboat especially captures the strange allure of a watery vista, an eternity that cares nothing for us and is, therefore, as scary as it is serene.

The English painter Jessie Makinson had just hung her first New York solo show, a sultry and disorienting group of sharply rendered elves and other not quite humans, when Covid shut her gallery down. So this single-artist presentation, centered on an enormous picture of earth spirits consorting around an oily black pool (“Me Time”), is an overdue debut.

Jeanne Liotta makes work about the spheres — the one we live on and those in other orbits. Most distinctive about the colored-gel-on-lightbox collages that appear here, along with a pair of LED sculptures, is how adroitly they sidestep all of the usual associations. They’re not sci-fi, or astrological, or kooky or even scientific. One image of the earth in particular, overlaid with concentric circles and a yellow section, seems rooted in simple observational wonder, though there may be a soupçon of ancient Greek geometry.

In an art fair full of loud colors jostling for attention, six astonishing quilts stand out as the real deal. Made by Elizabeth Talford Scott (1916-2011) in the ’80s and ’90s, the pieces are irregularly shaped and incorporate loose thread, beads, sequins and even tight little bags of polished pebbles along with their many tiny snippets of highly patterned fabric. They’re almost like feats of higher math: They seem much too complicated to hang together as singular compositions, but somehow, still, they do.

A reprise of Kenny Rivero’s recent show at the Brattleboro Museum, this collection of drawings on found paper by the 40-year-old Washington Heights-born artist is an art fair in itself. Naïveté and sophistication, innocence and insight change places in the work so quickly that you feel as if you’re standing on quicksand. All you can do is follow the advice of the red-eyed zombie Superman in one piece and “dream your dreamy dreams.”

A pair of stop-motion animations by Hugo Crosthwaite, about a woman’s journey from Tijuana to the United States, are on display here along with scores of the drawings used to make them. Made with both graphite and acrylic, the busy scenes achieve an entrancing variety of tones: acres of newspaper gray, crinkling across the drawings’ shallow perspective, are periodically cloven by a sudden swath of velvety black.

Through Sunday at the Javits Center, Manhattan. Visitors must wear a mask and show proof of full vaccination or a negative Covid-19 test result within 72 hours. Timed ticketing;

Read full article at The New York Times

Michael Constantine Of ‘My Big Fat Greek Wedding’ Dies At 94

HuffPost 09 September, 2021 - 12:15pm

Michael Constantine, an Emmy Award-winning character actor who reached worldwide fame playing the Windex bottle-toting father of the bride in the 2002 film “My Big Fat Greek Wedding,” has died. He was 94.

Constantine died Aug. 31 at his home in Reading, Pennsylvania, of natural causes, his family said. The news was confirmed to The Associated Press on Thursday by his agent, Julia Buchwald.

Constantine made appearances on such TV shows as “My Favorite Martian,” “The Twilight Zone,” “Bonanza,” “Hogan’s Heroes,” “The Dick Van Dyke Show,” “The Fugitive,” “Quincy, M.E.,” “The Love Boat,” “Remington Steele,” “MacGyver” and “Murder, She Wrote.” His big break came in the role of a principal on “Room 222,” an ABC comedy-drama set in a racially diverse Los Angeles high school, for which he won an Emmy for outstanding performance by an actor in a supporting role in 1970.

But he became best known for his work in the indie comedy “My Big Fat Greek Wedding,” which centered on a middle-class Greek American woman who falls in love with an upper-middle-class White Anglo-Saxon Protestant. Constantine reprised his role on the TV series “My Big Fat Greek Life” and in the 2016 film, “My Big Fat Greek Wedding 2.”

“My Big Fat Greek Wedding” became the highest-grossing romantic-comedy of all time with a $241.4 million domestic gross. It was based on writer-star Nia Vardalos’ one-woman play and produced by Tom Hanks and Rita Wilson for just $5 million.

Constantine initially auditioned for the part of Gus and told The Hollywood Reporter that he was anxious to read Vardalos’ script, leery about how it might represent the Greek American experience.

“I was anxious about someone writing some Greek thing. Was it going to be baloney or was it going to be something by somebody who really knows Greeks? So I read the script and I said, ‘Yes, this person obviously knows Greeks,’” he said.

Vardalos paid tribute to Constantine on Twitter, writing: “Acting with him came with a rush of love and fun. I will treasure this man who brought Gus to life. He gave us so much laughter and deserves a rest now.”

Constantine was the son of Greek immigrants. He started his career on stage and was on Broadway in the late 1950s and early ’60s in such shows as “Arturo Ui,” “The Miracle Worker” and “Inherit the Wind.”

He made his big-screen debut alongside Mickey Rooney in “The Last Mile” and had roles in “The Hustler,” “Don’t Drink the Water,” “Prancer,” “The Reivers,” “My Life” and “The Juror.”

Constantine was married and divorced twice. Survivors include his sisters, Patricia Gordon and Chris Dobbs.

Michael Constantin dies at age 94 - Pennsylvania News Today 08 September, 2021 - 05:11pm

Constantine’s brother-in-law, Michael Gordon, said Constantine died peacefully due to nature in his reader, surrounded by a family including his sisters Patricia Gordon and Chris Dobbs. Constantine had been ill for several years, but the nature of his illness was unknown.

Constantine, whose name is Gas Festing, was born on May 22, 1927, the son of Greek immigrants Andromash (Fotiadu) and Theohalis Ioanides Festing.

He graduated from Reading High School in 1946 and never forgot the community he grew up in.

“Last week he was still able to sing all four of the leading high school alma mater’s stanzas from memory,” said Michael Gordon. “He always considers himself a native of reading. People will come and say,” You’re from California “(and he’ll say)” Oh, I’m from reading. ” “

“He loved his hometown,” Patricia added. “He came back here shortly after winning the Emmy for Room 222. But then he was recalled to California. He always loved to go home. He was very much He was a family member. He loved his children, his brothers, and his parents. “

Constantine began her acting career on the New York stage in the 1950s and has since made a major break in the fictional ABC comedy drama “Room 222”, where she has appeared on many well-known television shows. Diverse Los Angeles High School.

Famous shows that Constantine starred in front of “Room 222” include “My Favorite Martian,” “Twilight Zone,” “Bonanza,” “Hero of Hogan,” “Dick Van Dyke Show,” and “Fugitive.” “And so on.

“He was a great character actor, so when someone needed a character actor, they relied on him,” George Hatsa retired. Reading Eagle Entertainment editor. As a journalist, Hatsa knew Constantine professionally, and he knew personally from the actors participating in the SS. Constantine and Helen Greek Orthodox Church reading together. “He was on television in the 1950s.” Perry Mason “is such a show. He did everything. “

Hatza said it was Constantine’s upbringing that made him so acclimatized.

“The problem is that he fits all those roles because he was a really typical ordinary person,” Hatsa said. “They were immigrants. They came here and his parents spoke Greek in the house. His mother spoke broken English. She was very smart and very kind. It was. The whole family, just kind, generous, sweet people. And it was the American dream. You took your family to America and your son grew up to be a movie star, a TV star, everyone knows. Become an actor. “

It was Constantine’s role in “Room 222” that made him easily recognized by many Americans. Hatza said the show had a lot of humor, but Constantine played most of his role straight.

“He was great in that role,” Hatsa said. “It was considered a comedy series, but he didn’t play it because of laughter. He was the principal and played like a real principal. It wasn’t part of the joke. He was such a person. He respected the workers, and it came out in his work. “

After “Room 222,” Constantine has been busy, playing the role of television on shows such as “Quincy, ME,” “Love Boat,” “Remington Steele,” “MacGyver,” “Murder, She Written.” rice field. Indie about a middle-class Greek-American woman who falls in love with an upper-middle-class white anglo-saxon Protestant before playing the acclaimed role in “My Big Fat Greek Wedding,” with more than 12 more movies. Romantic comedy.

“It was like he had a second career in’My Big Fat Greek Wedding’. It was,” Oh yeah, like Michael Constantin. I remember him. ” Said Hatsa with a laugh.

Only in this case, unlike the “Rum 222”, Constantine cut off the comedy chops a lot.

“He was cheerful and really cheerful,” said Hatsa. “The whole Windex thing (the window cleaner was his character’s magical elixir for everything) was just a great sight gag. He’s a Greek-American about preserving your heritage. They really caught the whole thing. Their home in the movie was a caricature of what people might think of Greek Americans. Everything is white and blue, the colors of the Greek flag. Everything is ridiculous Greece. It was a word. He had that whim that only Greeks could do.

“I think he was good enough to be nominated for an Oscar. I was a little surprised he didn’t get the Supporting Actor Award,” he said.

Constantine replayed his role in the television series “My Big Fat Greek Life” and the 2016 movie “My Big Fat Greek Wedding 2”. This is the last major role of his long and outstanding career.

Throughout, whenever he was reading, he was a local coffee shop fixture, where he went to read, write scripts, and interact with fans who might recognize him. ..

“He will talk to anyone and chat with anyone,” said Michael Gordon.

Constantine’s sister Patricia said she loves going to Wyomissing’s former borders store Burns & Noble and former Take 2 bagels.

“What was very interesting was that he was in the borders and wherever he was working and writing, and people wouldn’t care about him,” Hatsa said. “They went up and waved away. It wasn’t like people were everywhere in him. People allowed him his space, and when they were polite to him. He paid them back with courtesy. He was a good person. He is a very good person.

“When you were with him at the event, I didn’t feel he was better than anyone else. He never got that air. He was invited to this picnic. He was another person. He just sat there and told everyone about the old days. That’s his way. “

Charles J. Adams III with Retired WEEU Radio Personality Reading Eagle The correspondent remembered meeting Constantine at a local restaurant about a month ago.

“It’s interesting,” said Adams. “My friends in Chester County were out for dinner with us. As we walked, the car was pulled up and the man said,” Charlie Adams? ” ‘Yes. ‘He recognized me no matter who it was. And I looked and said, “Well, that’s Michael Constantin.”

“We started talking — great conversations about some of the work we did in the past — and my friend said,” He knows you, but you don’t. Hmm? That’s a little funny. “

“But he was such a person. He was very humble.”

Adams said he interviewed Constantine for his radio show when “My Big Fat Greek Wedding” came out, and they really hit it. Then, in 2010, the locally produced movie “Location! Location!” And Constantine asked him to accompany him to the premiere, so they walked along the red carpet.

“He was such a nice person that he had self-esteem,” Adams said. “This is tragic news, but life was rich.”

Patricia Gordon described her brother as a loving, giver.

“(He) was the most generous person you would like to meet,” she said. “Thanks to him, the world has become a better place. Really, really.”

Michael Constantine is located outside Reading Eagle’s office, opposite WEEU 830 AM, on Force Street and Court Street in Reading.

Los Angeles-March 9: (US tab and Hollywood reporter out) At the 9th Screen Actors Guild Awards at the Shrine Auditorium on March 9, 2003 in Los Angeles, CA. Actress Near Valdaros and actor Michael Constantine pose. (Photo by Kevin Winter / Getty Images)

Cast and producer of the new CBS TV show “My Big Fat Greek Life” from left: Louis Mandilla, Lainie Kazan, Michael Constantine, Rita Wilson, Nia Vardalos, Brad Gray, Marsh McCall, Stephen Eckholt, Andrea Martin answers a question to the reporter Monday, January 13, 2003 in Los Angeles. The cast and producer were on a press tour of the Television Critics Association. (AP Photo / Rick Francis)

New York, NY-March 15: Actor Michael Constantine attends the “My Big Fat Greek Wedding 2” New York premiere at the AMC Loews Lincoln Square 13 Theater in New York City on March 15, 2016. (Photo by Theo Wargo / Getty Images)

New York, NY-March 15: Actor Michael Constantine attends the “My Big Fat Greek Wedding 2” New York premiere at the AMC Loews Lincoln Square 13 Theater in New York City on March 15, 2016. (Photo by Theo Wargo / Getty Images)

Los Angeles-March 9: “My Big Fat Greek Wedding” actor Michael Constantine is at the 9th Screen Actors Guild Awards at the Shrine Auditorium on March 9, 2003 in Los Angeles, CA. Attend at. (Photo by Robert Mora / Getty Images)

Actor and reading graduate Michael Constantine starred in the 2010 short film “Location, Location,” featuring Jake Casadi and Amy Evans. Produced in Berks County and promoted by the Greater Reading Film Commission.

Michael Constantin dies at age 94

Source link Michael Constantin dies at age 94

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