Shang-Chi sets new US Labour Day box office record despite Covid-19 pandemic


South China Morning Post 06 September, 2021 - 05:31am 11 views

How did Shang Chi do in the box office?

Behold the Labor Day box office hit. ... Marvel. Fists of finance: The new Marvel movie Shang-Chi and the Legend of the Ten Rings has taken in $71.4 million at the US box office in its first three days, setting a Labor Day weekend record to boot. CNETShang-Chi packs a punch at box office in opening weekend

Is there an end credit scene in Shang Chi?

Shang-Chi and the Legend of the Ten Rings features not one but two post-credits scenes. ... Having saved the world at the end of the movie, Shang-Chi is introduced to some familiar faces with Avengers stars pop up for cameos (fittingly for 2021, this meeting involves a sort of superhero Zoom call). CNETShang-Chi and the Legend of the Ten Rings post-credits scenes explained

Is Shang Chi part of the MCU?

Shang-Chi is the newest star of the Marvel Cinematic Universe and could be an integral part of its next decade — but his history goes back almost half a century. ... With even some seasoned MCU fans getting to know this character for the first time, here are seven things you should know about Shang-Chi. washingtonpost.comWho is Shang-Chi? 7 things to know about Marvel's latest onscreen superhero.

When will Shang Chi be available on Disney plus?

Popular on Rolling Stone If you do the math starting from the film's theatrical release date of September 3, that means you may be able to watch Shang-Chi on Disney+ as soon as October 18. Rolling StoneIs Shang-Chi on Disney+? Here’s How to Stream the Asian Marvel Superhero Film Online Free

Opening Weekend Box Office Numbers For Shang-Chi Beat Expectations

Comic Years 05 September, 2021 - 07:04pm

The box office has been a whirlwind since the beginning of the coronavirus pandemic. It seems as if only low-budget movies can manage to break even, and anything beyond double-digit worldwide earnings is a pipedream. But finally, one movie has proven that success is possible with just the right amount of hype and a good placement in an already massive franchise. The box office numbers for the opening weekend of Shang-Chi and the Legend of the Ten Rings are here, and we’re impressed.

Opening on September 3rd, the latest addition to the Marvel Cinematic Universe pulled in $71.4 million domestic over the weekend. If you factor in the Labor Day long weekend, predictions expect that number to be $83.5 million. The worldwide debut is sitting at about $140 million. With a pre-marketing budget of $150 million, that’s pretty darn good. Domestically, these numbers beat out other major summer releases, like F9 and Free GuyThe four-day total gives it the needed edge over Black Widow, but her first three days have a slight edge at $80.3 million. Internationally, the movie made just north of $146 million. That total, however, excludes China which is an important territory for MCU movies, doubly so with Shang-Chi who is meant to have a more international appeal than say Captain America.

These box office numbers for Shang-Chi and the Legend of the Ten Rings mark a record for the long weekend. Additionally, they exceed predictions for the film’s opening. Our previous post on Shang-Chi‘s predictions claimed that only a $60 million haul would be needed to make the film a record-breaker, meaning that it’ll certainly be getting a gold star.

Obviously, these numbers almost seem like loose change compared to some pre-pandemic Marvel releases. The final MCU film to debut ahead of the worldwide change in the movie theater experience was Spider-Man: Far From Home, which collected a nice $92.5 million domestic in its opening weekend, with far larger numbers internationally.

There are still plenty of boundaries that keep us from a normal movie-going experience. Many people simply feel unsafe going to theaters. Some cinemas are only selling at a limited capacity. Mandatory mask-wearing keeps some from bothering. It’s impossible to say what the numbers would be if these things weren’t in place, but we can guarantee that the movie would still be the talk of the town. Among the Comic Years staff, some think that a pre-pandemic release would have rivaled Black Panther or Captain Marvel opening numbers.

Aside from the opening weekend, Marvel box office numbers have enormous benefits if the film has good legs. This means that people keep going after the premiere. Black Widow failed to do this and saw a steep 67% drop on its second weekend, a record for the MCU. Meanwhile, films like Black Panther were more than up for the task, with a fair domestic drop of 44.7%.

Will Shang-Chi have the legs to prevent a massive drop? For a Marvel film, the best ways to help the film include having a fantastic word of mouth and rewatchability. In terms of the former, this movie has a great chance of succeeding. The audience score on Rotten Tomatoes stands at 98%, and the film has continued to trend on social media. If people are boasting about just how great it is, they’re sure to encourage more people to go out and buy a ticket.

Franchises also succeed thanks to their superfans. We’re the folks that go every weekend to see if we missed a crucial moment or to gaze at the cinematography one more time. And if these fans can bring more friends each weekend, then they’ve unlocked the key to boosting ticket sales!

Shang-Chi and the Legend of the Ten Rings is an origin story for the latest hero to enter the MCU, which means that we can expect to see the titular character again in the future. As we gear up for more films now that the trend of delaying releases has cooled off, we’re sure that fans will want to analyze every scene in the movie as a way to prepare.

Readers, did you help contribute to the opening box office numbers of Shang-Chi and the Legend of the Ten Rings? Let us know if you’ll head back to the theater for a second watch.

Meghan Hale is the kind of movie lover that has a "must watch" that is a mile long... and growing. When she isn't talking about the latest film and television news she is writing one of her many in-process novels, screaming film trivia at anybody who will listen, and working as a mental health care professional. Follow her on Twitter @meghanrhale for some fun theories and live reactions to all things entertainment.

Recently, 20th Century Fox released another X-Men trailer. Dark Phoenix features Jesica Chastain. She acts as a mysterious foe. The trailer debuted in The Tonight Show with Jimmy Fallon. Many X men phoenix fans are […]

All is set for the long-awaited film Jay and Silent Bob Reboot to be released sometime this fall. As the producers of the Kevin’s Smith movie get set for the release date, they are now […]

Netflix leads the streaming services in content. Both original shows and favorites from the past and present stream on Netflix at a low price. Adults can can get excited for the new X Men Dark […]

Comic Years is the go-to source on news, discussion, and community for comics, movies, gaming , anime and TV!

Sign up to our newsletter and receive weekly up-to-date news & monthly amazing giveaways!*

‘Shang-Chi and the Legend of the Ten Rings' Review: A top-tier MCU performance to put you in the mood for more Marvel 05 September, 2021 - 04:32pm

For full feature support, please upgrade to a modern browser such as Microsoft Edge.

VERIFY helps distinguish between true and false information by answering questions directly from you. Looking for ‘Connect’ content? Check out the site’s footer.

Browse hyperlocal photos and videos from people just like you. You can even submit your own!

“Welcome to the circus,” an Avenger says not early on in “Shang-Chi and the Legend of the Ten Rings,” but in some of its latest images (as in, stay-during-the-credits-oh-why-do-I-have-to-remind-you late). It’s a definitive invitation. It’s also a bittersweet one. We can’t help but feel some regret at the words, and it’s because the moment can’t help but affirm how memorably the strongest scenes of the preceding two hours ground themselves in a place most would’ve deemed uninhabitable this deep into the Marvel Cinematic Universe experiment. 

Twenty-five of those chapters, to be precise, isn’t enough to get used to rubbery green-screen fakeness, unwieldy exposition dumps or jarring moments that cut away from apocalyptic fervor for a bit of side banter, if this latest entry is any indication. But 25 movies is certainly enough for us to notice when the stories are less about superheroism than superhumanism—or, rather, stories about human-sized humanism, where the lore of unfinished personal journeys is etched into the walls of the heart. 

Whose heart? In that question lies the thrill of “Shang-Chi’s” highs, and also its catch. The movie will likely make a star out of Simu Liu insomuch as he meets the right benchmarks to satisfy Marvel’s commercially mandated four-quadrant appeal as the titular hero, but it’s the adopted starpower of Hong Kong sensation Tony Leung – an actor of superhuman subtlety on the screen – that grounds the plot in a melancholy potent enough to hold off the comic book movie-ness of it all for an admirable stretch of running time. Making his Hollywood debut, Leung gives dynamic life to the character of Wenwu, Shang-Chi’s thousand-year-old father and eminently unsatisfied commander of the work-from-the-shadows Ten Rings army, and it’s a performance as understated as the movie tends not to be when he’s out of the frame. 

It’s a smart move, then, by director Destin Daniel Cretton and the screenwriters (Cretton, Dave Callaham and Andrew Lanham) not only to begin by foregrounding Wenwu’s story, but to give him more narrative consideration than just another foe to be dispatched. In quick order we see how Wenwu came to power, how power gave way to love, the initial stages of how love's absence birthed blind tyranny. It’s one of the most defiantly effective “long ago, in a different time and place…” cold openings movies of this scope have orchestrated in a long, long time. 

Then the rest of the film arrives, igniting a so-so execution of the Marvel plot blueprint of would-be heroes forging through one-liners and initial reluctance to fulfill their destinies. Anchored by an easy-breezy wholesomeness, Shang-Chi (or Shaun, as we’re first introduced to him) is low-key and sheepish when we meet him in San Francisco, where he works as a valet parker alongside chronic quipper best friend Katy (Awkwafina) by day and drunk-karaokes himself to sleep by night. The script bends a familiar formula by starting Shang-Chi’s journey in backstory res, however. He’s well aware of the powers he’s willingly suppressing, and it’s after he’s forced to unleash them in a thrilling action-sequence high point (and dutiful Jackie Chan-movie homage) aboard an out-of-control bus that questions start to sprout: Why has he spent years carving out an unassuming new identity for himself, estranged from his family and home?

“Shang-Chi and the Legend of the Ten Rings” will mostly detour through the introspection of those questions while laying the basic motivational mechanics on thick. Dad wants to see his kids. Son wants to warn sister. World-ending schemers and red herrings lurk in the background ready to spring, an impression of gravitas maintained by that Marvellian tendency for perfectly timed reactions, revelations and arrivals. Everything is increasingly relative in a franchise whose consistency continues to dominate its genre, which is perhaps why amid the extravagant parallel realms, soul-sucking dragons and man-eating forests that lend “Shang-Chi” its status as a blockbuster comic book movie are tinges of a narrative about yearning, self-worth, emotional abandonment and daunting familial responsibility with real gravitational pull. Of all the influences Cretton could have pulled from, it’s unexpected to spot rugged versions of the thematic textures from “The Farewell” when “Shang-Chi” pits generations against each other in scenes of levity and, later, of grandiose consequence. 

There’s also an admirable sense of intention to how the script steadily unfurls its emotional spine through the movie’s 130 minutes. Earlier chapters of Shang-Chi’s adolescence and strict training under Wenwu resurface throughout, further muddying the pace of a movie that feels twice as long as it is but also bringing the personal stakes that much closer to the surface. More than just one voice takes the reins in recounting this backstory, and while a more grounded version of “Shang-Chi” might have probed deeper into the nuances of storytellers and storytelling, we observe how decisions take a new shape based on whose eyes we’re viewing past deeds and current obsessions through. Wenwu is never not the clear antagonist of this movie, but in Leung’s hands the patriarch is also vastly more complicated and intriguing than perhaps every other MCU villain. 

I realize I’ve gone this far into discussing “Shang-Chi and the Legend of the Ten Rings” without saying much about the second half of that title, an element of this adventure that is at once central yet also on the periphery. If it’s a testament to the film’s writers that their priorities revolve around emotional affairs rather than totemic ones, then it’s par for the course that the ambitions of “Shang-Chi’s” more hyperactive and indulgent sequences fall flat when veering outside the strengths of Cretton, who proved himself adept at showcasing the organic evolution of interpersonal relationships in his 2013 effort “Short Term 12.” 

This is still a Marvel movie, that is, which means it threatens to snuff its own interpersonal drama when deploying ill-timed humor and insisting on an extended ensemble of characters; clearly, they're primed for future MCU involvement beyond this relatively isolated chapter, which here means any interpretation of ostensibly vital personalities can only reach certain depths. The franchise is desperate for some self-awareness in other areas; when Shang-Chi suddenly finds himself without a shirt or Katy teases her own prowess with a sudden overexertion of new skills, all they can do is shrug and smirk. As for the ten rings themselves, don’t exert yourself too much wondering about the limits of their power. The screenwriters all but directly inform us there'll be time to wonder about that later. 

I could harp on, too, about Cretton and Marvel’s narrative architects for their insistence on drenching a climactic skirmish with enough CGI sound and camera-jerking fury that what we see on the screen often becomes downright indecipherable. But to do that would be to ignore the superior action choreography which paves the way to this bloated third act, particularly a key confrontation in the movie’s Wenwu-centered prologue which sees Marvel discovering a quality it could frankly stand to deploy more often: Grace. The sequence is one of beautifully scored grandeur, balletic wuxia movements and increasingly steamy countermoves, a meet-cute of the Marvel kind which nonetheless recognizes maybe, just maybe, a mere look can contain more power than a quip. Not for nothing, it helps that we have the eyes of Leung to transport us, to put us in the mood for following this particular love story instead of inevitably jumping forward in time to more familiar MCU destinations.

All the same, towards more familiar MCU destinations are where this movie’s hero will march, though we can’t pretend we didn’t expect that going in. Origins are built to become legacies, and Shang-Chi seems to have already established his own among franchise fans. The circus may be where the most spectacular steps of his journey await, but it remains to be seen if the most poignant ones aren’t now behind us, enduring through the lasting impression of an MCU performance so stellar you sometimes forget it’s being delivered via the MCU. 

Notifications can be turned off anytime in the browser settings.

Entertainment Stories