Trans ‘Hamilton’ actor alleges she lost role after requesting gender-neutral dressing room


USA TODAY 13 October, 2021 - 05:56pm

'Hamilton' actor claims they were fired after requesting gender-neutral dressing room | TheHill

The Hill 14 October, 2021 - 07:00am

Lawyers for actor Suni Reid filed the complaint with the U.S. Equal Employment Opportunity Commission claiming they were retaliated against after requesting a gender-neutral dressing room in the Hollywood Pantages theater. Reid cited harassment taking place in male dressing rooms as the reason for the request.

"Unfortunately, during Mx. Reid’s years with the show, which purports to be an icon of diversity, they have experienced frequent incidents of discrimination and harassment from cast members and management of Hamilton based upon their race, sexual orientation/LGBTQ+ status, gender, and gender identity," the complaint states. The "Hamilton" company "failed to act" when threats were made against Reid, it adds.

"This genderneutral dressing space would be usable by other members of the cast as well, not just Mx. Reid, and multiple other actors expressed interest in using a gender-neutral dressing room," reads the complaint. The company agreed to cordon off a portion of the main dressing room using a curtain or sheet, but not to create separate dressing rooms entirely.

The production allegedly did not renew Reid's contract after they brought the issue to light and demanded a solution.

"When Mx. Reid responded by letting the Company know that this was not an adequate solution (either in practical terms or under the law), management began looking for reasons to cut off its relationship with Mx. Reid," the document states.

Reid left the show in September after four years as a cast member.

"Publicly, Hamilton is a beacon of diversity and appears committed to causes seeking social justice and harmony," Reid’s attorneys Lawrence M. Pearson and Lindsay M. Goldbrum of Wigdor LLP said in a statement obtained by Deadline. "Behind the curtain, however, the Company’s management will force out a Black, transgender cast member simply because they stood up for themselves and advocated for a more equitable workplace, and therefore called that public image into question."

In a statement to Deadline, a "Hamilton" spokesperson denied the accusations, calling Reid a "valued cast member for more than three years."

"We offered them a contract to return to Hamilton with terms responsive to their requests," the statement continued. "We have not discriminated or retaliated against Suni. Since the shutdown, our organization has taken care of our community. We have treated Suni with the same respect and consideration as all the company members of Hamilton. Specifically, we have given Suni direct financial support, paid for their health insurance, and paid for their housing. We wish Suni well in their future endeavors."

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Complaint filed over gender-neutral 'Hamilton' dressing room

Los Angeles Times 14 October, 2021 - 07:00am

“Hamilton” has been hailed as a showcase of diversity and inclusion, but a complaint filed Wednesday with federal civil rights authorities accuses the hit musical of discrimination and retaliation against a Black transgender cast member.

Suni Reid, who has performed in various “Hamilton” productions since 2017 and was part of the Los Angeles cast before the COVID-19 shutdowns last year, filed a complaint with the Equal Employment Opportunity Commission that said Reid repeatedly was harassed by other cast members, often in the dressing spaces for male performers.

The complaint (which can be read here) also said that after Reid asked for a gender-neutral dressing room to be set up at the Hollywood Pantages Theatre — a request in line with California law requiring employers to provide gender-neutral facilities — Reid’s contract was not renewed and the performer was dropped from the production.

Reid filed the complaint in Los Angeles against the musical’s parent company, as well as the reopened Pantages production (known as the Eliza Tour) and Adventureland LLC, which handles contractual negotiations and other corporate administrative matters for the Eliza Tour.

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In response to the complaint, a “Hamilton” spokesperson denied the allegations in an email to The Times on Wednesday.

“Suni Reid was a valued cast member for more than three years,” the statement said. “We offered them a contract to return to ‘Hamilton’ with terms responsive to their requests. ... We have not discriminated or retaliated against Suni.”

Like all other live productions, “Hamilton” is ultimately a business, said Reid’s attorney, Lawrence M. Pearson of Wigdor LLP, a firm that has represented victims in discrimination and harassment cases against Harvey Weinstein, Fox News and the Recording Academy. “And all businesses put on a certain amount of performance — as in, a veneer or facade of social consciousness.”

Reid said they first saw “Hamilton” in 2015, when a friend won a pair of $10 tickets. “I remember feeling thrilled — I was a young, aspiring theater artist, sitting front row to all of this magnificent Black talent on a Broadway stage,” they recalled of watching the original cast. “It was so cool to see myself reflected in that space, and it really lit a fire under me to visualize it for myself and see if I could make it up there too.”

Shortly after graduating from Pace University’s performing arts program in 2017, Reid joined “Hamilton” on Broadway, playing the ensemble role of Man Six and later understudying multiple major roles. Reid then became an offstage standby for the Chicago production, filling in as Aaron Burr, George Washington, Hercules Mulligan/James Madison and Marquis de Lafayette/Thomas Jefferson.

“It’s a very vulnerable thing to share,” they said of the incidents. “It makes me a little anxious, but at the same time, it’s very unfair that this company gets to enjoy the benefits of these claims of diversity and inclusion, but essentially excommunicate someone who spoke up about it.”

Reid’s complaint said the request for a gender-neutral dressing room would have benefited other cast members who also had expressed interest in using one, but management’s response was to partition a portion of the main dressing area with a sheet or curtain — which Reed’s complaint called insufficient.

Rory O’Malley, who plays King George, offered to give up his private dressing room, and eventually a gender-neutral dressing room was established at the Pantages. But Reid, who was still on the payroll, remained excluded from rehearsals and performances, the complaint said. Last month, Reid was informed that the company no longer wanted Reid to perform in any “Hamilton” production.

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“Since the shutdown, our organization has taken care of our community,” the “Hamilton” spokesperson said in the statement to The Times. “We have treated Suni with the same respect and consideration as all the company members of ‘Hamilton.’ Specifically, we have given Suni direct financial support, paid for their health insurance, and paid for their housing. We wish Suni well in their future endeavors.”

Reid, who is on the board of the nonprofit organization Broadway for Racial Justice, still hopes to rejoin “Hamilton” and, “in an ideal world, find some level of accountability and acknowledgment of harm done from the producers.”

“It feels as though Broadway and the entire industry has reopened without necessarily acknowledging a lot of these things,” they said. “Those people who are smiling and singing and dancing and bringing them such joy — what is happening to those people after they exit the stage? What are their working conditions? I hope this is an opportunity for consumers of theater to dig deeper and be mindful of where their dollar is going.”

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Ashley Lee is a staff reporter at the Los Angeles Times, where she writes about theater, movies, television and the bustling intersection of the stage and the screen. An alum of the Eugene O’Neill Theater Center’s National Critics Institute and Poynter’s Power of Diverse Voices, she leads workshops on arts journalism at the Kennedy Center American College Theater Festival. She was previously a New York-based editor at the Hollywood Reporter and has written for the Washington Post, Backstage and American Theatre, among others. She is currently working remotely alongside her dog, Oliver.

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